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The Confidence Cycle In Novel Writing

24/5/2015

8 Comments

 
I've talked with many authors about how their confidence varies through the process of novel writing. I've never heard an author say s/he felt confident the story was amazing from the first word to the final. And if such a person existed I'd expect him/her to be confident to share this with the world. From my very unscientific random sample of authors, it seems everyone's confidence varies, and most people seem to reach a point when it would be so easy to give up.

I've written a few novels now and every time I hit the same post 20,000 words crash – if the full story is about 65-80,000 words. I'm sure others may differ depending on their full novel's intended length. From talking to people I think the percentages through the story are roughly similar depending on your 'normal' novel length. Some of my RNA friends who write longer stories of 130,000 words will hopefully recognise the pattern I describe scaled up to their total word count.

I've just finished the first draft of my work in progress so using that experience and previous novels I've plotted how it is for me on this diagram which I'll explain by talking through the 5 sections from A to B below. I've drawn it free-hand as I'm not very good with graphs and diagrams on computer, but I hope it gets the point across.
Picture
Liam Livings - The Confidence Cycle In Novel Writing, copyright Liam Livings 2015
A – This is the PLOTTING AND PLANNING section, before you write any words on the story itself. Even if you don't plot this would be the moment you think more about an idea you've had and consider if it is strong enough to become a whole story or if it's just something that's interesting. A good example is when someone who's not a writer says they've got an amazing story idea for you and you ask what is it, they say, 'Undertakers!'* like that's the whole idea. That isn't an idea to sustain a story through 60,00 words or more, that's a setting. This is the stage you sort out the difference between these two concepts. For some the enthusiasm stays high, these are the ideas that move on to stage B. Others have dwindling enthusiasm when you realise 'Undertakers' isn't enough for a story, these ideas follow the dotted line shown by Dead ideas end here. *Thanks to Jean Fullerton for the Undertakers story.

B – This is the KING OF THE WORLD section. This is the first few chapters section when the idea is fresh, amazing, you think you're the king / queen of the world, everything about the idea is amazing, you must get it down onto paper. Of course in this section as with all others there are dips in confidence and enthusiasm, hence the line goes up and down. But overall this is the easy part. This links into the first few chapters syndrome I've so often heard about. People who get beyond the 'Undertakers' phase, and start writing a story can usually sustain it this far. But then, like me, they reach the CRASH.

THE CRASH – at this point you've exhausted the enthusiasm from B, the thought and enthusiasm from A has long since gone and now you realise there's lots more work to do to write this story. Certainly lots more than 'Undertakers' and also, sadly you realise more than just the first three chapters / first 20,000 words. This crash is your inside critic jumping in the driving seat. He may shout things like: THIS IS THE WORST IDEA EVER. YOU MUST STOP WRITING IT NOW. YOU ARE WASTING YOUR TIME. YOU ARE WRITING COMPLETE AND UTTER BILGE. END NOW. As you can imagine, listening to this voice would be very easy. Many people do listen to this voice. If you are an author who wants to reach the end of what you write – never mind being published, that's a whole different barrel of biscuits – YOU MUST IGNORE THE VOICE AND CARRY ON WRITING. There are many author casualties at this section. Many stop writing and that's the last they ever do to this current idea, before scampering off to the next exciting idea and returning back to A then B again and again. If you want to be an author who reaches the end (because you can only ever try to publish something with a start, middle AND and end) you need to ignore the shiny new idea and forge on past THE CRASH. OK?

C – I've called this part the MID-NOVEL MEH section. It's not quite as bad as The CRASH, but you're bumping along the bottom, slogging away, adding the words to the work in progress, little peaks and troughs of enthusiasm /confidence, but basically. It. Is. A. Long. Slog. Again, if you want to be an author who reaches the end you must forge on, plough forth through this difficult part. I also believe this mid-novel meh part is linked to some stories having a 'soggy middle' when you've shown the world of the characters, had your inciting incident, then it all gets a bit wishy washy while you work out what the big bang at the end is going to be. My advice, don't worry too much. Write write write through this. When I’ve re-read what I've written while deep in the mid-novel mehs and I've even sometimes put little notes to myself like, THIS IS UTTER CRAP, NEEDS A GOOD EDIT but when read back, it's actually alright, sometimes it's pretty good. During first draft read through a month or more afterwards I can see no discernible difference from the bits I wrote in section A when I thought I was the king of the world and those in section C. Keep that thought and hold it close to your anguished, doubting heart as you forge your way through this section.

D – POST MID-NOVEL MEH section. Here you're coming out of the mid-novel meh and the enthusiasm is building slowly as the end of the novel is in sight. It's hard, but you probably know what's going to happen at the end, who's going to fall in love with whom, who's going to slay which dragon, who killed who with which instrument in which room, whatever, but that's something to look forward to now it's nearer, hence the building enthusiasm here.

E – THE END IS IN SIGHT. It really is so near you can almost touch and taste it. The enthusiasm of D builds quicker, with the little wobbles as ever, but basically you're in the home straight. You're recapturing some of the 'I'm the king of the world' and 'this is amazing' you had in B as you build to the end. And even if you're not a completer finisher like I am, most people get a degree of satisfaction out of finishing something. This section is all about that enthusiasm.

THE END – the enthusiasm peaks as you finally do it, you type The End on your manuscript. You've done what you thought was impossible. You've taken an idea – something better than just 'Undertakers' you've created characters, you've written their story, there is a beginning, a middle and an end. And now you've reached the end. Pat yourself on the back. Go for a walk. Eat a cake. Watch some TV. But remember, when you write the next novel, you'll go through this whole cycle all over again. I certainly.

Does this resonate with you, other authors?

Please feel free to share the model.

Happy writing everyone,

Liam Livings xx
8 Comments
Becky Black link
1/6/2015 09:53:41 pm

Heh, I knew I'd heard that "Undertakers!" story before.

Sounds quite similar to my experience, yes. I go through most of these stages when drafting. I've just started a new draft, so am currently in the KING OF THE WORLD section. Or maybe that should be QUEEN OF THE WORLD.

The difficult parts are what separates the writers from the wannabes. If you can grit your teeth and keep going, your're a writer.

Reply
Liam Livings
2/6/2015 03:47:12 am

The 'undertakers' story is *legendary* in our house.
Enjoy the QUEEN OF THE WORLD section, it really is such fun isn't it?
~The difficult parts are what separates the writers from the wannabes. If you can grit your teeth and keep going, your're a writer.~ Yes, it really is. To continue returning to the manuscript when your whole being screams at you to stop, until you type THE END, that is being a writer.

Reply
Alexa Milne
4/6/2015 06:21:54 pm

Yep - happens every time around the 2/3 section when I wonder where I'm going or how I'm going to get where I need to me. I'm not a planner so I wait for that five in the morning moment when the characters finally start speaking to me again and say what about doing this?

Reply
Liam Livings
4/6/2015 10:53:48 pm

Hi Alexa, that's exactly what I did to work out the final part of my last novel. I was struck by how many authors shared their own description of *the crash* and how hard it is to write through it. But onwards we must go!
Liam

Reply
Jane Lovering link
20/6/2015 10:34:15 pm

Oh gods, yes, and at exactly the 25,000 word mark. Every. Single. Time. So I finish the book in a complete state of 'why the hell am I even bothering?' It usually picks up again towards the 60,000 word mark, and I quite like the end, but I am convinced with every book that people are going to say 'Iiked the start and the end, but what the hell was up with the middle?' However, nobody seems to have caught me out yet...isn't that another thing about being an author, that we feel terrible frauds who just haven't been discovered yet?

Reply
Merryn Allingham link
21/6/2015 02:25:29 am

Jane Lovering hit my nail on the head - I frequently feel a fraud and can't understand why people are buying the books I wrote! There's some consolation though. Great authors have thought they were frauds too. Thomas Hardy called himself 'Thomas the Unworthy'.

Reply
Liam Livings
21/6/2015 09:49:27 pm

Hi Marryn, it's such a lovely feeling to hear someone who read and enjoyed what you wrote, even if you sweated blood and thought it terrible at all previous points of the process. Re Hardy, I understand the point, but personally I don't 'get' Hardy's writing at all, but I know many others who love it. :-)

Liam Livings
21/6/2015 09:47:39 pm

Hi Jane, I knew it wasn't just me! I sometimes write 'this is terrible' while writing it, but when I re-read it months later in self-edits I often think it's no worse or better than the bits when I thought I was the KING OF THE WORLD. Bizarre isn't it?

Reply



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    Gay romance & gay fiction author

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